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https://w.atwiki.jp/dissertacao/pages/66.html
Prática http //www.marketing-e-cultura.com.br/website/pratica/prat001-b.php?cod_artigo=17 Marketing e Cultura comunhão de bens (2004, segundo semestre) Manoel Marcondes Machado Neto Marketing cultural é a atividade deliberada de viabilização físico-financeira de produtos e serviços que, comercializados ou franqueados, venham atender às demandas de fruição e enriquecimento cultural da sociedade. Primeiro foi a lei 7.505, de 2 de julho de 1986, (Lei Sarney, de incentivos fiscais à cultura), que iniciou uma nova era de mecenato no Brasil – muito embora o termo mecenato não seja o mais adequado para denominar as práticas amparadas por aquele instrumento inaugural de uma era, sim, mas de marketing cultural. Aquela lei e suas sucessivas regulamentações abriram caminho para uma visão complementar à ação do Estado no que concerne à produção cultural. Desvinculada da educação, a cultura ganhava status de ministério e num efeito cascata, estados e municípios passaram a separar as responsabilidades também em secretarias distintas. Como se fosse possível separar a cultura da educação... Sendo a cultura uma atividade econômica que movimenta cerca de 1% do PIB no Brasil, seria razoável reivindicar que o Estado alocasse 1% de seu orçamento para o setor (o que significaria, em 2004, algo em torno de 15 bilhões de reais), ao invés do atual 1 bilhão de reais investido, somados união, estados e municípios, seja com dotações orçamentárias, seja por meio de incentivos fiscais. Como isso não acontece, vêm as políticas "compensatórias" de incentivos. No entanto, qualquer política desse tipo, deve ter um caráter complementar em termos de obtenção de recursos e, por princípio, vigorar por tempo determinado. Naquele primeiro momento, as empresas puderam financiar ações culturais através da renúncia fiscal, desde que tais ações fossem levadas a cabo por produtores artístico-culturais – tanto públicos quanto privados. Essas organizações, pré-existentes ou não à lei, deveriam comprovar, junto ao Ministério da Cultura, seu objetivo de produzir e difundir a cultura e então obter um registro no Cadastro Nacional de Pessoas Jurídicas de Natureza Cultural (CNPC) – sob o controle do MinC e da Secretaria da Receita Federal do Ministério da Fazenda. O centro das ações de captação de recursos e de produção artístico-cultural era, pois, uma entidade, a qual, depois de recebido certo aporte de recursos, a título de doação ou patrocínio, deveria prestar contas ao fisco e ao MinC sobre a sua correta aplicação. Desvios eram punidos com a perda do registro. Uma segunda checagem podia ser feita a partir dos registros contábeis da empresa-patrocinadora. E o ciclo se fechava na relação empresarial entre entidade-produtora e cliente-patrocinador. Organizações que não gerassem bons resultados ou que mal-versassem recursos eram proscritas no meio. Essa abordagem, na qual o produtor era o elemento central da ação de marketing cultural é o que denominamos de primeira geração. Com a saída de cena da Lei Sarney, em 1990, eliminada que foi, junto a todas as demais leis de incentivos fiscais pelo governo Collor, surgiria, em 23 de dezembro de 1991, a lei 8.313 (Lei Rouanet) e, mais tarde, a lei 8.685 (Lei do audiovisual), de 20 de julho de 1993. Essas leis colocaram os projetos culturais no centro da ação de marketing cultural. Os projetos é que passaram a ser analisados e aprovados ou não pelo MinC (e secretarias de cultura estaduais e municipais pelo país afora, com base em sucessivas leis nessas esferas), como passíveis de captação de recursos hábeis à renúncia fiscal. Nessa altura não somente o imposto de renda (federal) passou a ser parcialmente “desviado” para a cultura diretamente pelos contribuintes, como também o foram parcelas do principal tributo estadual (o ICMS) e dos principais tributos municipais (ISS e IPTU). Não importava quem propunha a ação. Bastava que fosse um contribuinte cadastrado. E a questão crucial passou a ser, a partir daí, o montante que governos federal, estaduais e municipais permitiriam que fosse desviado (renunciado ou incentivado, como queiram) a título de apoio à cultura. Em toda essa década de Plano Real o marketing cultural funcionou assim. Essa fase em que o projeto constituiu o elemento central da ação de marketing cultural é o que chamamos de segunda geração. Estamos assistindo, diante das discussões postas pelo próprio MinC, os estertores desse ciclo. O que virá depois? Uma vez que a sociedade civil passa a constituir-se como o centro das atenções globais, que os governos vêem-se cada vez mais premidos pela responsabilidade fiscal e pelo contingenciamento de verbas e que a empresa privada vê-se cada vez mais pública, num novo sentido do termo, refém dos standards da governança corporativa, torna-se praticamente impossível a manutenção das velhas práticas de marketing cultural. Marketing Cultural de Terceira Geração (ou a transição para o fim dos incentivos fiscais à cultura) Uma nova forma de viabilização da produção artístico-cultural deve ser fundada no Brasil. Algo fora – o mais possível – dos apadrinhamentos, do amadorismo e dos orçamentos tipo “me engana que eu gosto”. Sem abrir mão da devida programação orçamentária para custeio e manutenção, as instituições culturais públicas precisam, de uma vez por todas, adotar uma filosofia de marketing. Afinal estamos todos imersos nesse mercado global em que se transformou o planeta. Não é mais possível que um museu federal, um teatro estadual ou um centro cultural municipal não procedam a uma auto-análise mercadológica para verificar com o quê estão concorrendo. Com quem estarão disputando o milagre da escolha soberana do cidadão-platéia. Conquistá-lo tem que ser seu objetivo final. Precisam, pois, exercitar competentemente seu marketing cultural de fim. As instituições privadas, por sua vez, precisam descobrir o caminho inexorável da auto-sustentabilidade. Muitas, aliás, já o encontraram. Artistas e produtores culturais necessitam urgentemente ver-se como entes pertencentes a um mercado. Sim, um mercado de arte, de cultura, de entretenimento e de trabalho. E um mercado altamente competitivo, no qual o amadorismo é punido com o pior dos esquecimentos – a morte. Uma visão de negócios, no puro sentido do termo (de não-ócio) e de empreendedorismo precisa ser posta em prática por profissionais que se estabeleçam no entorno do artista. Para praticar competentemente um marketing cultural de agente. Patrocinadores, dentre as organizações públicas e privadas, cada vez mais necessitadas de comunicar a seus públicos a que vieram – para além do lucro – e last but not the least – as pessoas físicas deste país, têm que responder ao chamamento de uma cidadania coletiva, que alcance mais que a simples satisfação das necessidades e desejos individuais. Para as primeiras, que têm no patrocínio mais um veículo para sua comunicação de marca institucional ou de produto/serviço, urge praticar competentemente um marketing cultural de meio, independente de incentivos fiscais, e, finalmente, para os cidadãos, que tal analisar já, com boa antecedência, as centenas de opções disponíveis (por enquanto) para a destinação de até 6% de seu imposto de renda a pagar, exercício 2004 ? Manoel Marcondes Machado Neto Autor do livro “Marketing Cultural das práticas à teoria”, editado pela Ciência Moderna. Atuou em produção cultural entre 1983 e 1993. Dedicou-se ao doutorado em Ciências da Comunicação na ECA/USP de 1996 a 2000, com o apoio da UERJ (PROCAD) e da CAPES (PICDT). É professor da Faculdade de Comunicação Social da UERJ. Voltar ao topo
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Star Wars From Concept to Screen to Collectible Chronicle BooksStephen J. SansweetSteve EssigDavid Tucker Controversies In Rheumatology Dunitz Martin Ltd?David A. Isenberg?Lori B. Tucker? Invisible Men Finding, Engaging, and Inspiring Men in Therapy Zeig Tucker & Theisen Inc?David Grove?Rhonda Burnaugh? Under Criticism Essays for William H. Pritchard Ohio Univ Pr?William H. Pritchard?Herbert F. Tucker?David Sofield? Empirical Research in Logotherapy and Meaning-oriented Psychotherapy Zeig,Tucker & Co,US?Alexander Batthyany?David Guttmann? Mugwumps Public Moralists of the Gilded Age Univ of Missouri Pr?David M. Tucker? The Imperial Temptation The New World Order and America's Purpose Council on Foreign Relations?David C. Hendrickson?Robert W. Tucker? Lieutenant Lee of Beale Street Vanderbilt Univ Pr?David M. Tucker? Rugby Trip Stories Y Lolfa?David Jandrell?Matthew Tucker?Sion Jones? Memphis Since Crump Bossism, Blacks and Civic Reformers, 1948-1968 Univ of Tennessee Pr?David M. Tucker? Arkansas A People and Their Reputation Memphis State Univ Pr?David M. Tucker? The Imperial Temptation The New World Order and America's Purpose Council on Foreign Relations?Robert W. Tucker?David C. Hendrickson? Circles of Blessing Redemption in the Rainforest William Carey Library Pub?David A. Tucker?Arlene Knickerbocker? Underwater Observation Using Sonar Fishing News Bks.?David G Tucker? Art After Modernism Rethinking Representation (Art Criticism and Theory) David R Godine Pub?Brian Wallis?Marcia Tucker? Tobacco An International Perspective State Mutual Book &?David Tucker Environmental Design for Public Projects Water Resources Pubns?David Hendricks?Evan Vlachos?Scott Tucker?Joseph Kellogg? The Anatomy of Russian Defense Coversion Vega Pr?David Holloway?William Perry?James Goody?Michael Intrilgator?Ward Hanson?Jonathan Tucker? The Fry Site Archaeological and Ethnohistorical Perspectives on the Maumee River Ottawa of Northwest Ohio Lulu.Com?David M. Stothers?Patrick M. Tucker? Antarctica and the Arctic The Complete Encyclopedia Firefly Books Ltd?Lynn Woodworth?David McGonigal?Tracy Tucker? Quilt Treasures of Great Britain The Heritage Search of the Quilters' Guild Rutledge Hill Pr?Janet Rae?Margaret Tucker?Dinah Travis?Pauline Adams?Bridget Long?Deryn O Connor?Tina Fenwick Smith?David Cripps? The New Interpreter's Bible General Articles Introduction, Commentary, Reflections for Each Book of the Bible Including the Apocryphal/Deuterocanonical Books in Twelve volume (New Interpreter's Bible) Abingdon Pr?David L. Peterson?Gene M. Tucker?Christopher R. Seitz? Late for Work Mariner Books?David Tucker Physical Medicine and Rehabilitaion Neuropsychological Assessment (Physical Medicine and Rehabilitation) Hanley & Belfus?Stephanie L. Hanson?David M. Tucker? Handbook Of Biodiversity Methods Survey, Evaluation And Monitoring Cambridge Univ Pr (Sd)?David Hill?Matthew Fasham?Graham Tucker?Michael Shewry?Philip Shaw? Where to Watch Birds in Devon and Cornwall Routledge Kegan & Paul?David Norman?Vic Tucker? Old Testament Interpretation Past, Present, and Future Essays in Honor of Gene M. Tucker Abingdon Pr?Gene M. Tucker?David L. Petersen?Kent Harold Richards? World War II A Student Encyclopedia ABC-Clio Inc?Allan R. Millett?David T. (DRT) Zabecki?Spencer C. Tucker?Priscilla Mary Roberts?Jack Greene?Cole C. Kingseed?Malcolm Muir? Fall of the First British Empire Johns Hopkins University Press?Robert W. Tucker?David C. Hendrickson? Where to Watch Birds in Devon and Cornwall (Where to Watch Birds) Christopher Helm Publishers Ltd?David Norman?Vic Tucker? Where to Watch Birds in Devon Cornwall Including the Isles of Scilly Lundy (Where to Watch Birds) A & C Black?David Norman?Vic Tucker?Steve Bird?Peter Harrison? Where to Watch Birds in Devon and Cornwall (Where to Watch Birds) Christopher Helm Publishers Ltd?David Norman?Vic Tucker?Peter Harrison?Steve Bird? Star Wars From Concept to Screen to Collectible Diane Pub Co?Stephen J. SansweetSteve EssigDavid Tucker Snoring and Obstructive Sleep Apnea Lippincott Williams & Wilkins?David N. F. Fairbanks?Samuel A. Mickelson?B. Tucker Woodson? The Women Who Made Television Funny Ten Stars of 1950's Sitcoms Mcfarland & Co Inc Pub?David C. Tucker? Second Language Education (Encyclopedia of Language and Education) Springer?G. Richard Tucker?David Corson? Canon, Theology, and Old Testament Interpretation Essays in Honor of Brevard S. Childs Fortress Pr?Gene M. Tucker?David L. Petersen?Robert R. Wilson? Star Wars From Concept to Screen to Collectible Chronicle BooksStephen J. SansweetSteve EssigDavid Tucker The Fall of the First British Empire Origins of the War of American Independence Johns Hopkins Univ Pr?Robert W. Tucker?David C. Hendrickson? Kitchen Gardening in America A History Iowa State Pr?David M. Tucker? Under Criticism Essays for William H. Pritchard Ohio University Press?David Sofield?Herbert F. Tucker? Government by the People Texas Version Prentice Hall College Div?James MacGregor Burns?J. W. Peltason?Thomas E. Cronin?David B. Magleby?Tucker L. Gibson?Clay Robison? Statecraft and Power Essays in Honor of Harold W. Rood Univ Pr of Amer?Christopher C. Harmon?David Tucker Statecraft and Power Essays in Honor of Harold W. Rood Univ Pr of Amer?Christopher C. Harmon?David Tucker The Harpercollins Bible Commentary Harper San Francisco?James Luther Mays?Joseph Blenkinsopp?Beverly Roberts Gaventa?Jon D. Levenson?Wayne A. Meeks?Carol A. Newsom?David L. Petersen?Gene M. Tucker? Fundamentals of Computing Logic Problem Solving Programs and Computers Mcgraw-Hill College?Allen B. Tucker?W. James Bradley?Robert D. Cupper?David Garnick? Government By The People Texas Version Prentice Hall College Div?David B. Magleby?David M. O Brien?Paul Charles Light?James MacGregor Burns?J. W. Peltason?Thomas E. Cronin?L. Tucker Gibson?Clay Robison? Admiral of the Amazon John Randolph Tucker, His Confederate Colleagues and Peru Univ of Virginia Pr?David P. Werlich? Calculus Derive Supplement John Wiley & Sons Inc?Deborah Hallet-Hughes?Andrew M. Gleason?Daniel E. Flath?Sheldon P. Gordon?David O. Lomen?David Lovelock?Andrew Pasquale McCallum?Jeff Tecosky-Feldman?Joe B. Thrash?Karen R. Thrash? Empire of Liberty The Statecraft of Thomas Jefferson Oxford Univ Pr (Sd)?Robert W. Tucker?David C. Hendrickson? Empire of Liberty The Statecraft of Thomas Jefferson Oxford Univ Pr (Txt)?Robert W. Tucker?David C. Hendrickson? Multivariable Calculus John Wiley & Sons Inc?Daniel Flath?Andrew M. Gleason?Sheldon P. Gordon?David Mumford?Brad G. Osgood?Deborah Hughes-Hallett?Douglas Quinney?Wayne Raskind?Jeff Tecosky-Feldman?Joe B. Thrash? Dimensions of Non-Commercial Foodservice Management Van Nostrand Reinhold?Audrey C. McCool?Fred A. Smith?David L. Tucker? The Decline of Thrift in America Our Cultural Shift from Saving to Spending Praeger Pub?David M. Tucker? Skirmishes at the Edge of Empire The United States and International Terrorism Praeger Pub?David Tucker Integrating Knowledge and Practice The Case of Social Work and Social Science Praeger Pub?David J. Tucker?Charles Garvin?Rosemary Sarri? Principles and Practice of Mathematics (Textbooks in Mathematical Sciences) Springer?Robert Bumcrot?Paul Campbell?Joseph Gallian?Frank Giordano?Rochelle Wilson Meyer?Michael Olinick?Alan Tucker?David Arney?Inc. Comap? Morris Cox and the Gogmagog Pr Oak Knoll Pr?David Chambers?Colin Franklin?Alan Tucker? Second Language Education (Encyclopedia of Language and Education, V. 4) Kluwer Academic Pub?G. Richard Tucker?David Corson? Sonar in Fisheries Fishing News Bks.?David G Tucker? CARIS Review Including 1998-2005 Data CARIS - Congenital Anomaly Register & Information Service?Margery Morgan?Judith Greenacre?David Tucker The Basic English Language Skills Book for Students at Tertiary Level (AfricaSouth Learners) David Phillips Publishers?Julie-Anne Justus?Paul Tucker?Terry Volbrecht?Tony Grogan? Understanding Home Composting Behaviour University of Paisley?Peter Tucker?David Speirs? Stickman World Lulu.com?Author David J Tucker? The Fallen Sky Publishamerica Inc?David J. Tucker? Masks, Masques and Masquerades Early Dance Circle?Yana Zarifi?Karl Toepfer?Daniel Tercio?Anne Daye?Barbara Sparti?Barbara Segal?Margaret Coldiron?Frances E. Tucker?David Wilson? Private Tucker's Boer War Diary Elm Tree Bks.?Frederick Tucker?Pamela & Fordham, David Todd?David Fordham? World Health Market Euromonitor Pubns.?David Tucker Multivariable Calculus Preliminary Edition, Maple John Wiley & Sons Inc?William G. McCallum?Daniel Flath?Andrew M. Gleason?Sheldon P. Gordon?David Mumford?Brad G. Osgood?Deborah Huges Hallet?Douglas Quinney?Wayne Raskind?Jeff Tecosky Feldman? The Dog Ate My Homework DT Business Solutions?David Tucker Tuckers' Directory of the Surveyors 500 Tuckers Directories?Janet E. Ebdon?David C. Tucker?Harold Tucker? Elementary Electrical Network Theory (Commonwealth Library) Elsevier?David G. Tucker? Elementary Electrical Network Theory (Commonwealth Library) Elsevier?David G. Tucker? Kitchen Gardening in America A History Purdue Univ Pr?David M. Tucker? Applied Underwater Acoustics Elsevier?David G. Tucker?B.K. Gazey? Applied Underwater Acoustics Elsevier?David G. Tucker?B.K. Gazey? Let's Look at Launton Launton Historical Soc.?Pat Tucker?David Tucker The Imperial Temptation New York University Press?Robert W. Tucker?David C. Hendrickson? Stone Wall Freedom Pushbuttonpress.Com Inc?David Lee Tucker? Health, Wealth and Medicines for All? King s Fund?David Taylor?Andrew Tucker?
https://w.atwiki.jp/swfspec/pages/144.html
Screen Video bitstream format SCREENVIDEOPACKET フィールド 型 コメント BlockWidth UB[4] Pixel width of each block inthe grid. This value is storedas(actualWidth / 16) - 1, sopossible block sizes are amultiple of 16 and not morethan 256. ImageWidth UB[12] Pixel width of the full image. BlockHeight UB[4] Pixel height of each block inthe grid. This value is storedas (actualHeight / 16) - 1, sopossible block sizes are amultiple of 16 and not morethan 256. ImageHeight UB[12] Pixel height of the full image. ImageBlocks IMAGEBLOCK[n] Blocks of image data. Seepreceding for details of howto calculate n. Blocks areordered from bottom left totop right, in rows. Image block IMAGEBLOCK フィールド 型 コメント DataSize UB[16] Note UB[16] is not the sameas UI16; no byte swappingoccurs. Size of the compressed blockdata that follows. If this is aninterframe, and this block is notchanged since the lastkeyframe, DataSize is 0 andthe Data field is absent. Data If DataSize 0,UI8[DataSize] Pixel data compressed usingZLIB. Pixels are ordered frombottom left to top right in rows.Each pixel is three bytes B,G, R. 移動 前のページ Sorenson H.263 ビットストリームフォーマット 次のページ Screen Video V2 ビットストリームフォーマット
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概要 圧力感知センサー搭載のジョグホイールと、手を触れること無くエフェクトなどが操作できる非接触センサーを搭載した2chDJコントローラー。 DJControl AIR ブラック シルバー +スペック表・DJControl AIR Air control Why is the controller called DJ Control Air? Air stands for Adjustment by InfraRed it is a contactless control. The DJ places his or her hand flat over the infrared beam. The controller calculates the distance between the sensor and the hand, and converts it into a gradual MIDI command. This MIDI command modulates a setting in the DJ software. Does Air control require specific light conditions? No, Air control functions under any light conditions. The infrared light beam projected towards the hand is invisible. The sensor captures the infrared reflection on the hand, and uses the reflection to calculate the hand’s distance. The reflection is the same in both daylight and low light conditions, allowing Air control to be used during the day, at night or in places with weak lighting. Air control functions with all flesh tones. The only incompatibility is the use of black gloves (as the infrared sensor would not be able to detect the reflection). 8 pads 2 sets of 4 pads control loops, sampler and effects commands. The DJ taps on the pads with his or her fingertips to send commands such as looping, sampler or effects. The pads light up when touched. In addition to a binary On/Off command, each pad can transfer velocity information to modulate the command. For example in sampler mode, the velocity can control the volume of a sample’s playback. The playback volume depends on how soft or how hard the DJ taps on the pad. Pressure-detecting jog wheels The jog wheels detect the pressure from the user’s hand. With scratch mode enabled, the jog wheels scratch when the hand’s weight is detected, and stop scratching when the hand’s weight is no longer detected. This allows the DJ to stop playback by pressing on the jog wheel. restart playback by lifting up his or her hand. scratch by turning the jog wheel while pressing down, and stop scratching by lifting up his or her hand. bend the pitch (if playback is on) / browse within tracks (if playback is off) by turning the jog wheels using their outer ring, to avoid applying downward pressure. With scratch mode disabled, the jog wheels bend the pitch or browse within tracks when the jog wheels are turned, regardless of the pressure applied. Built-in audio 1/8" (3.5 mm) stereo output for the mix 1/4" (6.35 mm) stereo output for headphone previewing DJUCEDTM DJ software Intuitive, powerful software Mix 2 audio tracks on the fly Save your mix as an audio file Mechanical specifications Casing 13.78 x 8.66 x 1.18 " 35 x 22 x 3 cm Jog wheels 3.94 " / 10 cm diameter Weight 3.1 lbs / 1.4 kg USB cable Attached BOX CONTENTS Hercules DJ Control Air Installation CD-ROM (PC/Mac) with PC/Mac DJ software Printed installation guide + online manual MINIMUM CONFIGURATION Computer with 1.5 GHz CPU or faster 1 GB RAM or more Powered USB port 100 MB available hard disk space CD/DVD-ROM drive Internet access Amplified stereo speakers and headphones Operating System (32-bit / 64-bit) Microsoft Windows® XP, Vista /7 or 8 or Mac OS 10.5, 10.6 or 10.7 on Core Duo Mac 価格 £129.99 DJControl AIR http //www.hercules.com/uk/legacy/bdd/p/174/djcontrol-air/ DJControl AIR+ DJControl AIRのマイナーチェンジ版。ジョグホイール感度が向上している。 +スペック表・DJControl AIR+ TECHNICAL SPECIFICATIONS 2-deck DJ controller with audio Great jog wheels for scratching •Pressure detection as intuitive for scratching as turntables •Large diameter 5.9"/15 cm • 750 steps per rotation Built-in audio •Master output •Headphones output •Microphone input AIR sensor •Long range sensor 11.8"/30 cm •View meter for AIR sensor Mechanical specifications Enclosure 17.9 x 10.2" 45.5 x 26 cm Jog wheels ø 5.9"/15 cm Weight 4.4 lbs./2 kg Audio specifications Outputs Master2 x RCA (line) (ch. 1-2)1 stereo ⅛" jack Monitor1 stereo ¼" jack (ch. 3-4)(headphones) 1 stereo ⅛" jack Input Mic In1 x ¼" (balanced) AIR control Why is the controller called DJ CONTROL AIR+? "AIR" stands for Adjustment by InfraRed it is a contactless control. The DJ places his or her hand flat over the infrared beam. The controller calculates the distance between the sensor and the hand, and converts it into a gradual MIDI command. This MIDI command modulates a setting in the DJ software. Does the AIR control require specific lighting conditions? No the AIR control functions under any lighting conditions. The infrared light beam projected toward the hand is invisible. The sensor captures the infrared reflection on the hand, and uses the reflection to calculate the hand’s distance. The reflection is the same in both daylight and low-light conditions, allowing the AIR control to be used during the day, at night or in places with weak lighting. The AIR control functions with all flesh tones. The only incompatibility is the use of black gloves (as the infrared sensor would not be able to detect the reflection). 8 pads 2 sets of 4 pads control hot cues and samples. The DJ taps on the pads with his or her fingertips to send commands such as cue points or samples. The pads light up when touched. In addition to a binary On/Off command, each pad can transfer velocity information to modulate the command. For example in sampler mode, the velocity can control the volume of a sample’s playback. The playback volume depends on how soft or how hard the DJ taps on the pad. Pressure-detecting jog wheels The jog wheels detect the pressure from the user’s hand. With scratch mode enabled ("Vinyl" button to switch on/off), the jog wheels scratch when the hand’s weight is detected, and stop scratching when the hand’s weight is no longer detected. This allows the DJ to stop playback by pressing on the jog wheel. restart playback by lifting up his or her hand. scratch by turning the jog wheel while pressing down, and stop scratching by lifting up his or her hand. bend the pitch (if playback is on) / browse within tracks (if playback is off) by turning the jog wheels using their outer ring, to avoid applying downward pressure. With scratch mode disabled, the jog wheels bend the pitch or browse within tracks when turned, regardless of the pressure applied. BOX CONTENTS Hercules DJ CONTROL AIR+ USB cable CD with DJUCED 40°(PC/Mac) Printed + PDF installation guide MINIMUM CONFIGURATION Computer CPU 1.6 GHz or faster Intel CoreTM 2 Duo or AMD 64-bit 2 GB of RAM or more High-speed USB port (USB 2 or 3) 100 MB available disk space CD/DVD-ROM drive Internet access Headphones + active speakers Operating system (32/64-bit) MS Windows® XP/Vista/7/8 or Mac OS® 10.6/10.7/10.8 DJControl AIR+ http //www.hercules.com/uk/legacy/bdd/p/223/djcontrol-air-/ DJControl Air S Series +スペック表・DJControl Air S Series TECHNICAL SPECIFICATIONS Technical specifications USB DJ controller with audio outputs 2-deck DJ control surface • Pressure-detecting jog wheels • Contactless control for air mixing • 8 progressive pads Built-in audio • 1/8" (3.5 mm) stereo output for the mix • 1/4" (6.35 mm) stereo output for headphone previewing DJ software DJUCED 18° • Intuitive, powerful software • Mix 2 audio tracks on the fly • Save your mix as an audio file Mechanical specifications Casing 13.78 x 8.66 x 1.18 " 35 x 22 x 3 cm Jog wheels 3.94 " / 10 cm diameter Weight 3.1 lbs / 1.4 kg USB cable Attached BOX CONTENTS •Hercules DJ Control Air S series •Installation CD-ROM (PC/Mac) with PC/Mac DJ software •Printed installation guide + online manual MINIMUM CONFIGURATION •Computer with 2 GHz CPU or faster •1 GB RAM or more •Powered USB port •100 MB available hard disk space •CD/DVD-ROM drive •Internet access •Amplified stereo speakers and headphones Operating System (32-bit / 64-bit) Microsoft Windows® Vista, 7 or 8 or Mac OS 10.7, 10.8 or 10.9 on Core Duo Mac DJControl Air S Series https //www.hercules.com/uk/leisure-controllers/bdd/p/239/djcontrol-air-s-series/ DJControl AIR for iPad iPadと接続が可能になった。（別途カメラコネクションキット等接続アダプタが必要のため注意） +スペック表・DJControl AIR for iPad TECHNICAL SPECIFICATIONS 2-deck DJ control surface • Pressure-detecting jog wheels • Contactless control for air mixing • 8 progressive pads Built-in audio • 1/8" (3.5 mm) stereo master out • 1/4" (6.35 mm) stereo output for headphone previewing DJ software • Intuitive, powerful software • Mix 2 audio tracks on the fly • Save your mix as an audio file BOX CONTENTS Hercules DJ Control Air for iPad Installation CD-ROM (PC/Mac) with PC/Mac DJ software Printed installation guide + online manual Extra cable for iPad Camera adapter and for power adapter with setup guide Lightning to USB Camera Adapter MINIMUM CONFIGURATION iPad® with Retina Display (with lightning connector) iPad® mini •Lightning to USB Camera Adapter (included) •iPad® Power Adapter (included with your iPad®) •iOS 6.1 and above iPad® 2, 3 •Camera Connection kit (not included) •iPad® Power Adapter •iOS 6.1 and above PC •MS XP, Vista, 7 and 8 32 64 bits •CPU 1.6GHz and faster / 2GB RAM MAC •Core Duo CPU •OSX 10.6, 10.7 10.8 32 64bits 価格 £149.99 DJControl AIR for iPad http //www.hercules.com/uk/leisure-controllers/bdd/p/232/djcontrol-air-for-ipad/
https://w.atwiki.jp/weekendclassic/
Weekend Classic OB合宿のページへようこそ 突然ですが、 今年海の日にやります。 Weekend OB合宿。 現役生に負けずに 元気だしていきましょう。 2008年度OB合宿詳細（予定） ●日時： 2008年7月19日(土) ～2008年7月21日(月) ●会場： やっぱり東海荘 ●集合： コートに13 00 ●エントリー費： ?????円位 ●予定： 1日目： 練習 MIX抽選会 2日目： MIX大会 大宴会 ●試合形式： 1setマッチ ●ウェア規定(試合中)： 男子Tシャツ禁止 女子スコート優遇 ●その他： ↓出欠登録のページを作りました。 2008年度OB合宿 ↓去年のClassicWeekendCupのページ 高田作 http //hp.tcup.jp/on95/1/simple01.php ↓ちなみに現役生たちのページは以下にあります。 2008年度 http //www.ab.auone-net.jp/~weekend/ 2007年度 http //homepage2.nifty.com/weekend2007/2007index.html 2006年度 http //www.k4.dion.ne.jp/~weekend/framepage1.html 吉澤のページ http //homepage3.nifty.com/weekend/index.html ちょうしのページ（photoとかまだ見れるよ） http //home.catv.ne.jp/ss/cdai/
https://w.atwiki.jp/niconamadqrta/pages/168.html
第9回DQRTA駅伝では何度もシドー乙した末に辛くも勝利し、感極まって号泣してしまった。 その時の「タノムゥ・・・」は名言となっている。 ロトリレーのY-CUPや底辺駅伝の運営を務めるなど、事務方を得意とする。 【コミュニティ】 ファミマ店員がゲームしてます http //com.nicovideo.jp/community/co60622 【記録】 SFCDQ3 2 58 59 【大会実績】 【関連】 裏 http //www.ustream.tv/channel/yumeiki ツイッター http //twitter.com/#!/yumeiki58
https://w.atwiki.jp/nicomad_srs_event/pages/1689.html
nicovideo2(640,360http //www.nicovideo.jp/watch/sm30662925 作品名： [MAD](エヴァンゲリオン× Titan Dune） 作者名： TAOTO 作者コメント： 昔からMAD、AMVが好きでよく見ていました。 自分なりの作品への評価も持てるようになり今回のMAD作成（処女作）を始めました。 音ハメや映像への細かいケアもできる限りしたつもりです。 完ぺきではないですし、改善点、妥協点もありますが 自分の納得のいく作品にはなったと思います。 たくさんの方に見ていただければ評価していただけるという自信と いいものが作れたという自負があります。 この作品のタグ：第92回MAD晒しの宴 レビュー欄 名前 コメント
https://w.atwiki.jp/niconamadqrta/pages/203.html
本業はアイワナだが、DQのRTAも得意とする。 第9回DQRTA駅伝では、SFCDQ1で出場し、大会記録を残すなど、ポテンシャルの高さをうかがわせる。 【コミュニティ】 お茶の間がパーフェクトフリーズ http //com.nicovideo.jp/community/co317602 【記録】 SFCDQ1 1 32 59 Lv18 先岩山 ゴーレムLv8チャート 【大会実績】 【関連】 Twitter http //twitter.com/minaduki0217
https://w.atwiki.jp/gtavi_gta6/pages/1752.html
クラシーク(Classique) クラシーク(Classique)概要 解説 ラインナップ 概要 和音：クラシーク モデル：オールズモビル 解説 オールズモビルをモデルとした自動車メーカー。 当初はメーカーとして追加されておらず、スタリオンのバッジでのみ確認できる存在で、スタリオンのメーカー自体はデクラス(*1)で設定されていた。 そのためGTAIVからは音沙汰無しだったが、2022年冬の『ロスサントス・ドラッグウォーズ』アップデートにて、実に9年間のブランクを経て一つのメーカーとして追加された。 社名の「クラシーク」は「クラシック」(Classic)をもじったもので、元ネタであるオールズモビル(Oldsmobile)の「Old」に引っかけたもの。もっとも、オールズモビルの「Olds」は人名であり、「古い」を意味する「Old」とは関係がない。 ラインナップ Stallion種類：マッスルカーモデル：オールズモビル・カトラス等 Burger Shot Stallion種類：マッスルカーモデル：オールズモビル・カトラス等 imageプラグインエラー 画像URLまたは画像ファイル名を指定してください。Broadway種類：マッスルカーモデル：オールズモビル・シリーズ60 ※スタリオン2種類はデータ上ではデクラスに分類されているが、車体のメーカーエンブレムはクラシークのものになっている。
https://w.atwiki.jp/cohstatsjp/pages/287.html
Vehicle Hetzer Contents 1 Hetzer Veterancy 2 Tactics 3 History 4 Requires 4.1 Hetzer Tank 5 Called In Using 5.1 Hetzer 6 Vehicle Abilities 6.1 Vehicle Cover 6.2 Ambush Lock-Down 7 Vehicle Upgrades 7.1 APCR Rounds 7.2 Spotting Scope 8 Vehicle Weapons 8.1 75mm Hetzer 8.2 75mm Hetzer APCR 8.3 MG42 Hetzer Hetzer Health 450 Max Speed 6.2 Sight 35 Cost 300 Acceleration 1.3 Detection 0/0 Time 30 Deceleration 2.75 Hotkey Population 8 Rotation 27 Target Type armour_hetzer Upkeep 1.0752 Crush Human true Critical Type armour Crush Mode crush_medium Rear Damage Enabled true Hetzer Veterancy [Expand][Hide] Received Damage Received Accuracy Maximum Speed Maximum Health 0.9 0.9 1.15 1.15 Accuracy Reload Cooldown Penetration 1.15 0.9 0.9 1.15 24 Vet-Exp Received Damage Received Accuracy Maximum Speed Maximum Health 0.95 0.95 1.05 1.15 Accuracy Reload Cooldown Penetration 1.15 0.9 0.9 1.15 58 Vet-Exp Received Damage Received Accuracy Maximum Speed Maximum Health 0.95 0.95 1.05 1.15 Accuracy Reload Cooldown Penetration 1.15 0.9 0.9 1.15 102 Vet-Exp Tactics The Hetzer can camoflauge when stationary and so, is good for ambushing enemy tanks raids. History The Jagdpanzer 38 (known after World War II as the Hetzer ( baiter )), was a German tank destroyer of the Second World War based on a modified pre-war Czechoslovakian Panzer 38 chassis. The Jagdpanzer 38 fitted into the lighter category of German tank destroyers that began with the Panzerjäger I, continued with the Marder series, and ended with the Jagdpanzer 38(t). The Hetzer was fitted with a modified 75mm Pak 39 L/48, very similar to the late Panzer IV s 75mm kwk 40 L/48; it could destroy nearly all allied tanks in service at longe range, and its fully-enclosed armor made it a much safer vehicle to crew than the Marder II or Marder III series. The Jagdpanzer 38(t) is one of the most common late-war German tank destroyers. It was crucially available in numbers that made it significant, and was generally mechanically reliable. Also, its small size made it a hard target, and was easy to conceal, allowing it to lie in ambush for enemy tanks. The Jagdpanzer 38(t) s weaknesses were its very limited gun traverse, poor internal ergonomics and poor visibility. The gun traverse was so limited that the entire vehicle sometimes needed to be turned to track a fast-moving target. The gun was designed to be loaded from the right but was also placed on the far right of the vehicle, making operation difficult for the gunner and loader, leading to a lower rate of fire than would be ideal. The confines of the vehicle were also very cramped, with four men squeezed into the small machine. The commander sat far back in the vehicle, with a flat roof to his front and without a cupola. Thus, his visibility was limited when the vehicle was even slightly elevated in back as, for example, in a classic hull-down position. Some versions attempted to alleviate the space problem by removing the recoil-absorbing mechanism for the gun, though it was at the cost of forcing the vehicle itself to absorb the recoil. Requires Hetzer Tank [Expand][Hide] Cost 3 Time Hotkey Effects A Hetzer Tank Hunter is available for reinforcement. These maneuverable tanks have thick sloping armor, and their small size means they are easily camouflaged. ESee Upgrade Hetzer Tank for details. Called In Using Hetzer [Expand][Hide] Cost 600 Activation targeted Duration 0 Target tp_any Recharge 40 Hotkey Effects The diminutive Hetzer mounted the same powerful Pak39 as used on the Panzer IV in well-armored chassis that was also small enough to easily conceal. ESee Ability Hetzer for details. Vehicle Abilities Vehicle Cover [Expand][Hide] Cost Activation always_on Duration _ Target tp_any Recharge 0 Hotkey Effects $0 no key ESee Ability Vehicle Cover for details. Ambush Lock-Down [Expand][Hide] Cost Activation toggle Duration 0 Target tp_any Recharge 10 Hotkey C Effects Lock-down your Hetzer and enter a Camouflaged state. The Hetzer s first-strike out of Camouflage has powerful ambush bonuses. ESee Ability Ambush Lock-Down for details. Vehicle Upgrades APCR Rounds [Expand][Hide] Cost 3 Time Hotkey Effects AT guns and main tank guns are issued the more powerful APCR (Armor Piercing Composite Rigid) Panzergranate 40 ammunition that will improve armor penetration. ESee Upgrade APCR Rounds for details. Spotting Scope [Expand][Hide] Cost 25 Time 25 Hotkey S Effects The Spotting Scope increases sight and gun range of the Hetzer Tank Destroyer. ESee Upgrade Spotting Scope for details. Vehicle Weapons 75mm Hetzer [Expand][Hide] Weapon 75mm Hetzer See Weapon 75mm Hetzer for details. 75mm Hetzer APCR [Expand][Hide] Weapon 75mm Hetzer APCR See Weapon 75mm Hetzer APCR for details. MG42 Hetzer [Expand][Hide] Weapon MG42 Hetzer See Weapon MG42 Hetzer for details. Retrieved from http //coh-stats.com/Vehicle Hetzer